Description
Slut Machine is an enticing first volume that is brave, honest and rich in eroticism, humor and growing up gay and southern in America. This book of poetry takes on a Frankensteinian quality in which ideas span from the influences of Allen Ginsberg and Madonna to eroticizing Mexican and Chinese fast food restaurants.
Shane Allison is the author of six books of poetry. Ceiling of Mirrors (Cynic Press), I Want to Fuck a Redneck (Scintillating Publications), Cock and Balls (Feel Free Press), Black Fag (Future Tense Books), I Want to Eat Chinese Food Off Your Ass and Eros in a Tearoom bothfrom (Propaganda Press). His poems have been published in the New York Quarterly, Mississippi Review, New Delta Review, Velvet Mafia, I Do/I Don’t: Queers on Marriage, This New Breed:Gents, Badboys and Barbarians 2, Coloring Book: An Eclectic Anthology of Fiction and Poetry by Multicultural Writers, and many others.He is the editor of Hot Cops: Gay Erotic Stories, Backdraft: Hot Fireman Erotica and College Boys: Gay Erotic Stories.
Jarret Keene, author of Monster Fashion –
Shane Allison’s unprotected poetry will Japanese bukkake your mind with its forceful imagery and anal cream pie your soul with its deranged humor. There isn’t another bard out there as raw, ribald, or randy.
Ian Philips, author of Satyriasis: Literotica 2 –
Shane Allison is often described as “the Black Antler”—a great name for a superhero but disservice to both Allison and Antler. Why? Because both super superfag poets have a voice that is honest-to-goddess unique. There is only one Antler. And only one Shane Allison.
Greg Wharton, author of Johnny Was & Other Tall Tales –
Slut Machine is super-size sodas and cheeseburgers at the Dairy Queen, a denim crotch and an open zipper, jealous boyfriends and anonymous lovers, and dirty messages on your answering machine—-like real life.
Jonathan Penton, unlikelystories.org –
The wide range of Shane Allison’s poetic talents tend to defy brief description; each poem seems a complete universe into itself. Both his wordsmithing and sentiments are flawless, a complete construction, display, and deconstruction of the author’s mind.